Dangerous-music 2-Bus LT User Manual

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The Dangerous Music 2Bus LT Manual
Thank you for choosing products from the exciting line of Dangerous Music
recording equipment. Many years of dependable and trouble free
performance can be expected from our gear. This has been made possible by
careful design, construction, and top-shelf component choices by recording
industry veterans. This manual will assist the user in the installation of the
2Bus LT and calibration of the system.
Contents
Introduction……………………………….. 1
Safety review……………………………... 2
Overview and Hook up………………….... 3
Front Panel and Use………………………. 4
Calibration………………………………... 5
Balanced connections.................................. 6
Unbalanced connections………………….. 7
Grounding revisited………………………. 8
Connector Pin-Outs………………...…….. 10
Specifications…………………………….. 11
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Summary of Contents

Page 1

The Dangerous Music 2Bus LT Manual Thank you for choosing products from the exciting line of Dangerous Music recording equipment. Many years of d

Page 2 - Safety Review

Connector Pin-Outs All of the XLR connectors are wired pin 2 high, pin 3 low, and pin 1 shield. Due to back panel space limitations, we were forced

Page 3 - Hook up

Specifications Frequency response…………………. 1 Hz – 100 kHz within 0.2dB THD+noise………………………….. 0.003% 22 kHz band limited IMD60 4:1…………………………... 0.

Page 4 - Front Panel and Use

Safety Review Certain precautions should be taken when using electrical products. Please observe the safety hints by reading the manual and obtaini

Page 5 - Calibration

Overview The 2Bus LT is a 16x2 summing amplifier designed to help the users of digital audio workstations achieve better mix performance through the

Page 6

Front Panel and Use There are two types of front panel controls on 2Bus LT. MONO switches put the signals of a pair, normally panned hard left a

Page 7 - Unbalanced Connections

Calibration The following sections provide a more detailed look at some of the aspects of recording studio setup and trouble-shooting. While it is no

Page 8 - Grounding Revisited

A/D converters in a recording situation are usually set to have a +22dBu maximum input level to achieve full scale. This allows for occasional loud hi

Page 9

Unbalanced Connections Unbalanced lines are usually treated the same as balanced because the 2Bus LT will let the signal through while isolating

Page 10

Grounding Revisited Next is a quick set of hints about where to look when trying to cure buzz troubles in a recording studio. While the technique

Page 11 - Dangerous Music, Inc

Below is a diagram showing how a typical ground loop is made and why it is important to pay attention to the wiring scheme in a studio. The input shie

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